TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)

Miguel A. Orosa; Viviana Galarza-Ligña

doi:10.37467/revhuman.v11.4349

TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)

Título traducido de la contribución: Tendencias del Siglo XXI: Escritura escénica en Europa vs. el guión de cine en España

Miguel A. Orosa, Viviana Galarza-Ligña

PUCE Ibarra

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

Resumen

This article aims to study the main patterns of contemporaneity in the field of stage writing, especially in Europe. Particular reference is made to the problem and function of the text in the age of the image and other issues of special relevance. These notes or stage patterns are compared with those of the most publicized current texts of cinema in Spain, giving rise to the debate on the adequacy of these cinematographic texts to the signs of contemporaneity. The aim of this study is to find out whether the mentioned film texts follow the current guidelines of European contemporary stage writing.

Título traducido de la contribución	Tendencias del Siglo XXI: Escritura escénica en Europa vs. el guión de cine en España
Idioma original	Inglés
Publicación	Human Review. International Humanities Review / Revista Internacional de Humanidades
Volumen	11
DOI	https://doi.org/10.37467/revhuman.v11.4349
Estado	Publicada - 27 dic. 2022

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© GKA Ediciones, authors.

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title = "TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)",

abstract = "This article aims to study the main patterns of contemporaneity in the field of stage writing, especially in Europe. Particular reference is made to the problem and function of the text in the age of the image and other issues of special relevance. These notes or stage patterns are compared with those of the most publicized current texts of cinema in Spain, giving rise to the debate on the adequacy of these cinematographic texts to the signs of contemporaneity. The aim of this study is to find out whether the mentioned film texts follow the current guidelines of European contemporary stage writing.",

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author = "Orosa, {Miguel A.} and Viviana Galarza-Lig{\~n}a",

note = "Publisher Copyright: {\textcopyright} GKA Ediciones, authors.",

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TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema). / Orosa, Miguel A.; Galarza-Ligña, Viviana.
En: Human Review. International Humanities Review / Revista Internacional de Humanidades, Vol. 11, 27.12.2022.

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

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TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)

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