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El concierto ecuatoriano para guitarra de Salgado y su estética indigenista

    Producción científica: RevistaArtículorevisión exhaustiva

    Resumen

    This paper introduces the Ecuadorian Concerto for Guitar and Orchestra, composed by Luis Humberto Salgado (Ecuador) in 1976. It also presents a new transcription of the solo part and discusses the composer’s nationalistic musical conception. This work is the first known guitar concerto composed in Ecuador. The article is divided into four parts. The first part presents a brief biography, the second explains the characteristics of the transcription, the third discusses Salgado's musical nationalism, and the fourth outlines the main elements of the concerto. The new transcription for the soloist part is included as an appendix to the article.

    Título traducido de la contribuciónThe Ecuadorian Concerto for Guitar by Salgado and its Indigenist Aesthetics
    Idioma originalEspañol
    Número de artículoe243010
    PublicaciónOpus
    Volumen30
    DOI
    EstadoPublicada - 2024

    Nota bibliográfica

    Publisher Copyright:
    © 2024 National Association of Music Research and Postgraduates. All rights reserved.

    Palabras clave

    • Ecuadorian Concerto for Guitar
    • Indigenism
    • Indigenist realism
    • Luis Humberto Salgado
    • Musical nationalism

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