El concierto ecuatoriano para guitarra de Salgado y su estética indigenista

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Resumen

This paper introduces the Ecuadorian Concerto for Guitar and Orchestra, composed by Luis Humberto Salgado (Ecuador) in 1976. It also presents a new transcription of the solo part and discusses the composer’s nationalistic musical conception. This work is the first known guitar concerto composed in Ecuador. The article is divided into four parts. The first part presents a brief biography, the second explains the characteristics of the transcription, the third discusses Salgado's musical nationalism, and the fourth outlines the main elements of the concerto. The new transcription for the soloist part is included as an appendix to the article.

Título traducido de la contribuciónThe Ecuadorian Concerto for Guitar by Salgado and its Indigenist Aesthetics
Idioma originalEspañol
Número de artículoe243010
PublicaciónOpus
Volumen30
DOI
EstadoPublicada - 2024

Nota bibliográfica

Publisher Copyright:
© 2024 National Association of Music Research and Postgraduates. All rights reserved.

Palabras clave

  • Ecuadorian Concerto for Guitar
  • Indigenism
  • Indigenist realism
  • Luis Humberto Salgado
  • Musical nationalism

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