TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)

Miguel A. Orosa; Viviana Galarza-Ligña

doi:10.37467/revhuman.v11.4349

TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)

Miguel A. Orosa, Viviana Galarza-Ligña

PUCE Ibarra

Research output: Contribution to journal › Article › peer-review

Abstract

This article aims to study the main patterns of contemporaneity in the field of stage writing, especially in Europe. Particular reference is made to the problem and function of the text in the age of the image and other issues of special relevance. These notes or stage patterns are compared with those of the most publicized current texts of cinema in Spain, giving rise to the debate on the adequacy of these cinematographic texts to the signs of contemporaneity. The aim of this study is to find out whether the mentioned film texts follow the current guidelines of European contemporary stage writing.

Translated title of the contribution	Tendencias del Siglo XXI: Escritura escénica en Europa vs. el guión de cine en España
Original language	English
Journal	Human Review. International Humanities Review / Revista Internacional de Humanidades
Volume	11
DOIs	https://doi.org/10.37467/revhuman.v11.4349
State	Published - 27 Dec 2022

Bibliographical note

Publisher Copyright:
© GKA Ediciones, authors.

Keywords

Film and (post)dramatic change
Film and contemporaneity
Film scriptwriting in Spain
New (post)dramatic paradigm
Patterns of scenic writings of the 21st century

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10.37467/revhuman.v11.4349

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abstract = "This article aims to study the main patterns of contemporaneity in the field of stage writing, especially in Europe. Particular reference is made to the problem and function of the text in the age of the image and other issues of special relevance. These notes or stage patterns are compared with those of the most publicized current texts of cinema in Spain, giving rise to the debate on the adequacy of these cinematographic texts to the signs of contemporaneity. The aim of this study is to find out whether the mentioned film texts follow the current guidelines of European contemporary stage writing.",

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TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema). / Orosa, Miguel A.; Galarza-Ligña, Viviana.
In: Human Review. International Humanities Review / Revista Internacional de Humanidades, Vol. 11, 27.12.2022.

Research output: Contribution to journal › Article › peer-review

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TWENTY-FIRST CENTURY TENDENCIES: STAGE WRITING IN EUROPE VS. FILM SCRIPTWRITING IN SPAIN (The question about the contemporary nature of Spanish cinema)

Abstract

Bibliographical note

Keywords

Access to Document

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