Transformation of Andean Cinema in Latin America: Identity and Postdrama

Miguel Ángel Orosa; Santiago F. Romero-Espinosa; Jose A. Fernández-Holgado

doi:10.1007/978-3-030-11890-7_88

Transformation of Andean Cinema in Latin America: Identity and Postdrama

Miguel Ángel Orosa^*, Santiago F. Romero-Espinosa, Jose A. Fernández-Holgado

^*Corresponding author for this work

PUCE Ibarra

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

1 Scopus citations

Abstract

The object of this research focuses on the cinematography of the Andean countries (Ecuador, Bolivia and Peru, excluding Colombia due to the size of its market) and their architectural transformations. Thus, identity and architecture will be related to the cinema, both by their textual and narrative-audiovisual aspects. To perform the analysis, three models will be exhibited: dramatic, postdramatic and audiovisual postdramatic. The results show that in the three countries there are clear postdramatic manifestations in their cinematography, especially in some of their most outstanding films.

Original language	English
Title of host publication	Information Technology and Systems - Proceedings of ICITS 2019
Editors	Manolo Paredes, Carlos Ferrás, Álvaro Rocha
Publisher	Springer Verlag
Pages	944-953
Number of pages	10
ISBN (Print)	9783030118891
DOIs	https://doi.org/10.1007/978-3-030-11890-7_88
State	Published - 2019
Event	International Conference on Information Technology and Systems, ICITS 2019 - Quito, Ecuador Duration: 6 Feb 2019 → 8 Feb 2019

Publication series

Name	Advances in Intelligent Systems and Computing
Volume	918
ISSN (Print)	2194-5357

Conference

Conference	International Conference on Information Technology and Systems, ICITS 2019
Country/Territory	Ecuador
City	Quito
Period	6/02/19 → 8/02/19

Bibliographical note

Publisher Copyright:
© 2019, Springer Nature Switzerland AG.

Keywords

Andean cinematography
Andean postdrama
Cinema Ecuador Bolivia Peru
Identity and postdrama in the Andean cinema

Access to Document

10.1007/978-3-030-11890-7_88

Cite this

Orosa, M. Á., Romero-Espinosa, S. F., & Fernández-Holgado, J. A. (2019). Transformation of Andean Cinema in Latin America: Identity and Postdrama. In M. Paredes, C. Ferrás, & Á. Rocha (Eds.), Information Technology and Systems - Proceedings of ICITS 2019 (pp. 944-953). (Advances in Intelligent Systems and Computing; Vol. 918). Springer Verlag. https://doi.org/10.1007/978-3-030-11890-7_88

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abstract = "The object of this research focuses on the cinematography of the Andean countries (Ecuador, Bolivia and Peru, excluding Colombia due to the size of its market) and their architectural transformations. Thus, identity and architecture will be related to the cinema, both by their textual and narrative-audiovisual aspects. To perform the analysis, three models will be exhibited: dramatic, postdramatic and audiovisual postdramatic. The results show that in the three countries there are clear postdramatic manifestations in their cinematography, especially in some of their most outstanding films.",

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note = "Publisher Copyright: {\textcopyright} 2019, Springer Nature Switzerland AG.; International Conference on Information Technology and Systems, ICITS 2019 ; Conference date: 06-02-2019 Through 08-02-2019",

year = "2019",

doi = "10.1007/978-3-030-11890-7_88",

language = "English",

isbn = "9783030118891",

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Orosa, MÁ, Romero-Espinosa, SF & Fernández-Holgado, JA 2019, Transformation of Andean Cinema in Latin America: Identity and Postdrama. in M Paredes, C Ferrás & Á Rocha (eds), Information Technology and Systems - Proceedings of ICITS 2019. Advances in Intelligent Systems and Computing, vol. 918, Springer Verlag, pp. 944-953, International Conference on Information Technology and Systems, ICITS 2019, Quito, Ecuador, 6/02/19. https://doi.org/10.1007/978-3-030-11890-7_88

Transformation of Andean Cinema in Latin America: Identity and Postdrama. / Orosa, Miguel Ángel; Romero-Espinosa, Santiago F.; Fernández-Holgado, Jose A.
Information Technology and Systems - Proceedings of ICITS 2019. ed. / Manolo Paredes; Carlos Ferrás; Álvaro Rocha. Springer Verlag, 2019. p. 944-953 (Advances in Intelligent Systems and Computing; Vol. 918).

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

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AB - The object of this research focuses on the cinematography of the Andean countries (Ecuador, Bolivia and Peru, excluding Colombia due to the size of its market) and their architectural transformations. Thus, identity and architecture will be related to the cinema, both by their textual and narrative-audiovisual aspects. To perform the analysis, three models will be exhibited: dramatic, postdramatic and audiovisual postdramatic. The results show that in the three countries there are clear postdramatic manifestations in their cinematography, especially in some of their most outstanding films.

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Transformation of Andean Cinema in Latin America: Identity and Postdrama

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