Abstract
Jean-Luc Marion's phenomenology of givenness has, as a phenomenology, strong and unquestionable Husserlian and Heideggerian roots. Nonetheless, it is to remember that its two main concepts -givenness and saturated phenomena- come directly from Kant, and more precisely front his aesthetics. Through an analysis of Kantian aesthetics, the author argues in favour of a Kantian legacy of the phenomenology of givenness, establishing a link between the phenomenon of revelation -saturation of saturation- and the sublime in Kant. Thus, Marion finds in Kantian aesthetics the possibility to positively present negatities, and therefore, a way to let them phenomenalize the givenness they are inhabited of.
| Translated title of the contribution | Kant's aesthetic as the paradigm for the Jean-Luc Marion's phenomenology of givenness |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 516-535 |
| Number of pages | 20 |
| Journal | Con-textos Kantianos |
| Issue number | 12 |
| DOIs | |
| State | Published - Dec 2020 |
| Externally published | Yes |
Bibliographical note
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